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These three sonnets are a good example of the complexity of this exercise of conceptism in Lope, whose poetry can not be described as plain, simple and clear: it is a difficult poetry full of games, intertextual allusions and references that should be clarified applying the type of appropiate reading.Se analizan tres sonetos de Lope contra el italiano Traiano Boccalini, incluidos en las Rimas de TomÃ© de Burguillos, mostrando la necesidad de comparar el texto de Lope con el de los Ragguagli di Parnaso, en su versiÃ³n original italiana, y no en la traducciÃ³n de Perez de Sousa, que elimina pasajes necesarios para entender los juegos de Lope. Lope y Boccalini: Tres sonetos de TomÃ© de Burguillosįull Text Available The article analyzes three sonnets of Lope against Traiano Boccalini included in the Rhymes of TomÃ© de Burguillos, showing the need to compare the LopeÂ´s text with the italian original version of Ragguagli di Parnaso, not with spanish translation of Perez de Sousa, because in this translation are deleted essential passages to understand the game of wit of Lope.

These plays were written in a period when Lope was particularly interested in historical issues: La Santa Liga (1598-1603, Arauco domado (1599, El asalto de Mastrique (1595-1606 and Los Guanches de Tenerife (1604-1606. Having this aim in mind, I have analyzed the role played by this type of speech in a group of plays dealing with historical and military subjects. At the same time, it rejects the direct influence of the ejemplo XXV on La pobreza estimada, as previously thought by critics.įull Text Available This article analyzes the way in which Lope de Vega conceives in his theater the pre-battle harangue, the most characteristic speech in ancient and renaissance historiography. This paper also shows the influence of the ejemplo XXV from El conde Lucanor on the Comedia de Miseno. The Comedia de Miseno was written at the end of the 16th century by Loyola, an almost unknown author. A careful study of both comedias shows a deep intertextual relationship between the play by Lope and the Comedia de Miseno, discovered by Stefano Arata. The Â«Comedia de MisenoÂ», Source of Â«La pobreza estimadaÂ»: From Don Juan Manuel and Loyola to Lope de Vegaįull Text Available This paper studies the influence of the Comedia de Miseno on La pobreza estimada, by Lope de Vega. La ColecciÃ³n Lope de Vega de la Biblioteca HistÃ³rica Municipal, Ayuntamiento de Madrid, Madrid, 2013, 254 pp. La ColecciÃ³n Lope de Vega de la Biblioteca HistÃ³rica Municipalĭirectory of Open Access Journals (Sweden)įull Text Available Review of JosÃ© Manuel LucÃa MegÃas, ed., Lope de Vega en la piel de Brugalla. JosÃ© Manuel LucÃa MegÃas, ed., Lope de Vega en la piel de Brugalla.

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